Lightworks: Lesley Dumbrell, Trevor Vickers, Virginia Coventry and Richard Dunn
Dates & times
Fri 2 October — Sun 29 November 2020
ANU Drill Hall Gallery
Image: Virginia Coventry, Vertere (to turn), 2014 (left), Untitled (yellow) 2009 (right). Courtesy the artist, Charles Nodrum Gallery and Liverpool Street Gallery
When two colours or two tones are juxtaposed, they evoke a quality of light common to them both. This realisation is fundamental to all paintings which aim to produce illusions of light, space and atmosphere, including those which have been conceived by specialists in abstraction and colour –prime examples being the paintings of Lesley Dumbrell, Trevor Vickers, Virginia Coventry and Richard Dunn.
Richard Dunn, (from left), Haus Wittgenstein, Kundmanngasse 19 #1, Haus Wittgenstein, Kundmanngasse 19 #4, Haus Wittgenstein, Kundmanngasse 19 #5. Courtesy the artist and Charles Nodrum Gallery.
This exhibition, curated by Charles Nodrum, brings together artists of the same generation, with a closely corresponding sensibility. During their coming of age in the 1960s, the influence of post-war American painters was keenly felt. The concept of a painting as a unitary field, the importance of scale, and the primacy of colour were defining features of that era. In 1968 the famous exhibition at the National Gallery of Victoria, The Field, was held. Trevor Vickers participated in the exhibition, Dumbrell, Coventry and Dunn did not, but all of them have developed and built on the potential of this formative period.
Trevor Vickers, Untitled 2019. Courtesy the artist, Charles Nodrum Gallery and Art Collective WA.
For these painters, as Matisse once put it, “Colour helps to express light – not the physical phenomenon, but the only light that really exists, that of the artist’s brain.”
Lesley Dumbrell, Colombe, 2012 (left), Cerulean, 2010 (right). Courtesy the artist and Charles Nodrum Gallery. Image: Rob Little.
Lightworks is guest curated by Charles Nodrum
Please view our website and Facebook pages for events related to this exhibition.
Complementary exhibitions in the side galleries extend the thematics of Lightworks:
Hannah Gason, Interval
David Stevenson and Martin Walch , Watershed
Visitors to the Drill Hall Gallery:
For your safety, the Drill Hall Gallery will be following guidelines, recommendations and enforceable public health directions published by ACT Health and Safework Australia. We will be collecting contact tracing information from all visitors to the gallery.
To ensure a safe and healthy environment while visiting the Drill Hall Gallery at this time we request that you:
- Stay at home if you are unwell.
- Stay at home if you have been in contact with a known or suspected COVID-19 case.
- Practice good hand hygiene and cough etiquette.
- Utilise hand sanitisers provided at the entrance of the gallery.
- Assist our staff in filling out your contact tracing information on entry and exit from the gallery.
- Maintain1.5 metres distance from other visitors and staff.
- Comply with the number restrictions clearly signposted in each of the gallery spaces.
- Comply with any written or verbal directions from staff.
- Use contactless payment for any purchases made at the Drill Hall Gallery.
- Consider downloading the COVIDSafe app if you have not already.
- We strongly encourage you to wear a facemask during gallery events.
Thank you for your patience and understanding, and we appreciate your help in keeping our community safe during this time.